Death at a Funeral wins Best Comedy at Sydney Film Festival

According to this article Death at a Funeral has won the Best Comedy award by the audience at the 54th Sydney Film Festival.

Congratulations!

Darcylicious makes the news!

Darcylicious.com has been mentioned as a place to visit by Australia's Sunday Herald Sun. A scan of the article has been provided by Alice. Thank you! Darcylicious makes the news!

Doris-Anglophil describes meeting Matthew and the play

Doris-Anglophil got to meet Matthew Macfadyen twice today and describes both encounters. She also saw the play twice and gives some of her impressions. As always, the full account is found in the forum:

...Then we saw the play, me for the first time. It was very good. I was most impressed (don't beat me up!) by Peter Sullivan, who gave an extremely good performance in my eyes. Every second of the play he was totally convincing. He is a great actor, to be sure.

I very much focused on the whole stage, not only on Matthew, because I wanted to gain an overall impression. It is an extremely good play, thanks to Bruce Norris and Dominic Cooke! They did their job very well. Matthew acted as I expected him to do, even I had the impression that he wasn't in his best condition, don't ask me why. He has hilarious moments, but also moments where you simply want to hold him in your arms forever.

Topcat describes meeting Matthew Macfadyen

Topcat, along with JaneV and Doris-Anglophil had the opportunity to get together today to see The Pain and The Itch as well as try to meet Matthew Macfadyen. The day was a success with these online friends meeting for the first time, getting pictures and autographs of Matthew and seeing the play evolve over time.

Here are some Matthew-centric comments from Topcat. The full account of Jane and Topcat can be read in the forum:

The Observer reviews The Pain and The Itch

Observer:

Dominic Cooke's smashing production of The Pain and the Itch is a standard-bearer for the new Royal Court. It's Cooke's first production as artistic director, and he has tagged it as a drama that marks a shift in policy. It is, he thinks, a play that will make the theatre's audiences, accustomed to trooping into Sloane Square to squinny at the underclasses, shudder at themselves for a change.

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